|The eminent composer-conductor Leonard Bernstein, recording his music for “West Side Story,” in 1988.|
I’ve been neglecting my blog lately, which I regret, though I am not burdened by so heavy a weight of guilt as this regret may normally imply, because I’ve nevertheless been exulting in the sublimities of aesthetic, moral, and intellectual achievements in the arts that are available to those who seek them out. In the time since my last post, I have seen two excellent movies — one on DVD (Kenneth Lonergan’s Margaret) and one in theatres (James Gray’s The Lost City of Z) — and two truly great movies — one on DVD (Wes Anderson’s The Darjeeling Limited) and one online (Nicholas Ray’s Bitter Victory) — about which, hopefully, you’ll hear more in a short while.
In the time I would have spent writing about these wonders, however, I’ve been focusing on a few instances of musical greatness instead. My levels of enthusiasm had been stoked somewhat by the announcement of the relaunch of the local band, the Johannesburg Philharmonic Orchestra, and I spent much time going over different recordings of the pieces they would present in their special relaunch concert (the March from Act II of Verdi’s Aïda, Tchaikovsky’s first piano concerto, and Tchaikovsky’s fourth symphony), which led me to revisit a few other favourites. I was further excited by last week’s commemorations of Leonard Bernstein’s 99th birthday (including my own, on Facebook) and the kick-off of the Bernstein centenary. In the hope it would encourage discussion on the opportunities of musical appreciation and wonderment to avid listeners in South Africa, as well as on various composers, works, and recordings in particular, I present to readers here a list of some of the recordings I’ve been listening to keenly, obsessively, passionately, rapturously, and defencelessly.